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Camera Operator
Deaf U
Netflix docuseries set at Gallaudet University.
ON SET
Where the work happens.
I make films for causes that matter. Ten years behind the camera for Netflix, National Geographic, and the Obama Foundation.
Every frame is a decision. As a director of photography, I build images that hold attention without asking for it. Natural light when it serves the story. Controlled light when it does not.
I shoot on the Sony Cinema Line and finish in DaVinci Resolve. From documentary sets to brand campaigns, the standard is the same. The image has to earn its place on screen.
I produce with one question in mind. What does the audience need to feel? Everything else, the gear, the schedule, the budget, works backward from that answer.
A decade of production has taken me from campus stories at Gallaudet to a Netflix docuseries to federal campaigns. Different scales. Same discipline. A Master's in Producing Film, TV, and Video from American University sharpens the business side of that craft.
Education. Health. Civic life. Sports. Community. I work with organizations doing good work, and I make films that move audiences to act. Any cause. Any audience.
My visual first approach comes from directing in ASL. It makes every frame clearer, for everyone. Through Cine55, my production company, that clarity reaches every deliverable.
Netflix docuseries set at Gallaudet University.
National Geographic educational series with Interface Media Group.
Brand campaign for Gallaudet Athletics.
Brand collaboration celebrating Deaf culture.
Story driven content for a national platform.
Budgets, crews, schedules, and logistics. I keep productions moving and clients calm.
Concept, structure, and point of view. I shape stories that move audiences to act, in ASL and English.
Composition, movement, and light. Sony Cinema Line. Finished in DaVinci Resolve.
Open to full-time roles, freelance collaborations, and production work in the DMV and beyond.